Regular Post
Written by admin

Julio Romero Torres painter par excellence of flamenco.

The work of Julio Romero de Torres occupies a similar place in the history of Andalusian painting to that occupied by García Lorca in poetic art, since in both the vernacular reached a depth of universal resonance. Both comparable, in their respective artistic languages, with the effects of cante jondo on the listener’s mind, elevate the apparent banality of regional customs and peculiarities to a sublime expression of shared concerns in any time and place: love and death, desire. passion and instinct, channeled by the magic of creation.

News
, ,
0
Regular Post
Written by admin

Picasso, the portrait as a personal diary

If there is a genre in which Picasso poured his most intimate side, it was undoubtedly the portrait. For it was always the people closest to him who would make up a gallery of portraits that, seen through the rearview mirror of his history, reveal much of the vicissitudes or joys that the painter from Malaga was going through at the time.

News
, ,
0
Regular Post
Written by admin

Biblical femme fatale through art

The image of women has been studied and defined throughout history through art, literature and even science, the prototype of the “femme fatal” being one of the most deeply rooted in our cultural imagination. The construction and definition of this stereotype was born in the 19th century from the hand of literature and art where this perception of women as a perverse, demonic and seductive being that leads its male victims to perdition, spread and imposed in all spheres of society.

News
, ,
0
Regular Post
Written by admin

The Ante-tempore portrait-photography?

During centuries, portraits have fascinated generations of art lovers, conveying faces that would otherwise have inexorably faded over time.

By definition, the portrait is the representation of the physiognomic features of a person, created through different means of expression such as painting, sculpture, photography and literature.

Does this mean that when we look at a portrait, we are seeing the actual effigy of the person’s features? To what extent is a portrait a free interpretation agreed between the subject and the artist of the reality to be portrayed?

News
, ,
0