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Biblical femme fatale through art

The image of women has been studied and defined throughout history through art, literature and even science, the prototype of the “femme fatal” being one of the most deeply rooted in our cultural imagination. The construction and definition of this stereotype was born in the 19th century from the hand of literature and art where this perception of women as a perverse, demonic and seductive being that leads its male victims to perdition, spread and imposed in all spheres of society.

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The Ante-tempore portrait-photography?

During centuries, portraits have fascinated generations of art lovers, conveying faces that would otherwise have inexorably faded over time.

By definition, the portrait is the representation of the physiognomic features of a person, created through different means of expression such as painting, sculpture, photography and literature.

Does this mean that when we look at a portrait, we are seeing the actual effigy of the person’s features? To what extent is a portrait a free interpretation agreed between the subject and the artist of the reality to be portrayed?