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Roman urns. Art to honor ancestors

Roman urns. Art to honor ancestors

It is common for the perception of contemporary man to distort the realities of the past and in Ancient Rome this happened with great frequency. One of the ideas that has come down to us is that the monuments of the greatest empire of antiquity were within the city walls, and this is largely true: temples, basilicas, libraries, gardens and baths were located in the urban area. However, outside the walls there was another city, the one dedicated to the deceased.

Roman urban planning laws indicated that burial sites had to be outside the municipality for obvious health reasons. Exceptions were rarely made, as was the case of Hadrian or Augustus in the city on the Tiber. Outside the walls we would find a sea of marble, the mausoleums of the aristocratic families, the altars dedicated to the deceased and the funerary divinities. Columbariums of public character and enclosures where to place the pyres and to carry out the funerals. These spaces were ornamented with sculptures of gods and portraits of patrons, reliefs, groves or stone stelae. For all Romans there was a responsibility to their deceased relatives because of the obligation to honor their memory and maintain the natural order and also for a propagandistic function or demonstration of status.

GIOVANNI BATTISTA PIRANESI.“Avanzi di un antico Sepolcro
GIOVANNI BATTISTA PIRANESI.“Avanzi di un antico Sepolcro

There was a clear intention to show in these monuments not only the affection or link to those who had left, it was also a place where titles or positions were shown, the social position, so it was clear if the deceased was, for example, a patrician, an équite, quaestor or baker. The inscriptions that accompanied the stelae, urns and mausoleums provided a great deal of information about their owners and the lives they lived. They are, therefore, of fundamental relevance to the study of this civilization.

Urna cineraria. Antigua Roma, siglo I d.C.

How did the Romans bury themselves?
This is a very broad question. The Romans were a people who incorporated traditions from different cultures throughout the empire. For example, the closest, that of the Etruscans and their sarcophagi in the shape of the human body. The influence of the Greek world brought the rite of cremation, one of the most widespread. After cremation, the Romans placed the remains in an urn like the one shown below (lot 35246361). They also used to deposit them in pieces of other ceramic formats such as hydrias or reused vessels. The urns also had the function of ossuaries, that is to say, they served to receive the skeletal remains after a considerable period of time had passed. These two were the most common practices within the Roman culture, however we find examples as disparate as the continuation of mummification in Egypt or the mass graves for the less favored classes.

The materials could vary according to the client’s budget, but there is an intention to ensure the durability of these objects. Stone sarcophagi, urns and marble ossuaries are those that have most commonly come down to us. However, it is logical that many of these pieces were of equally elaborate ceramics and also with an artistic care and relevance as could be the Etruscan example (Lot 35246354).

Roman funeral rites were part of one of their identity signs and defining features of their most ancient values and traditions (including those of the conquered peoples). The artistic expression on the urns in this case, either by reliefs, scenes, ornaments or inscriptions, indicate the importance of them within their culture and is living proof that they have come down to us, the intention to endure the passage of time.

Urna cineraria etrusca, siglo IV-III a.C.
Written by Andrea Domenech

Treasures of an Empire: Important Roman Glass Collection

Treasures of an Empire: Important Roman Glass Collection

How can we understand the value of a piece that is nearly two thousand years old? Today we are guided by its state of conservation, the purity and finesse of its finishes and, of course, by its origin. However, there remains a fundamental element to appreciate the art of Roman glass and for that we would have to think as a true Roman citizen would have done. Seneca tells us a perfect story to understand it.

The wealthy banker known for his luxuries and extravagance, Vedius Pollio, gave an opulent banquet attended by the Emperor Augustus himself. Among the wonders that the guests could enjoy were, among others, a very fine crystal tableware from which they drank Falerno wine and, as they used to say at the time, it seemed that the fruits floated from the hands of the servants of the translucent What were the containers? One of the house slaves had the misfortune of precipitating a glass on the floor, leaving it shattered. The host without any hint of mercy condemned him in front of the attendees to die devoured by the moray eels from his pond. The emperor wanted to avoid the event and ended up teaching Pollio himself a lesson. After reprimanding him for his disproportionate measure, Augusto urged all the servants to throw all the crockery on the floor with the promise of no reprisal. In this way, the banker was left without his precious treasure and with the ridicule of all the attendees.

The story seems an exaggeration, but it highlights the high economic cost and the appreciation that was given to glass manufactures. The life of a servant, for that of a drink. Fortunately, at this time we can appreciate these wonders with a demanding but less aggressive criterion. The glass pieces, as we verified, were luxury goods in formats that are usually discreet and with a special interest in the finishes.

The collection that Setdart auctions comes from the Hotel Cambón in Paris and from an old Spanish private collection and is a unique testimony of the art of glass in Roman times. Accustomed to seeing pieces such as ointments or lachrymatory bottles on the market, which were more usual and common, the containers in the collection stand out for their rarity and their exceptional state of preservation. The dimensions of the objects are a detail that influences that they have reached us. The pieces of larger formats or with complex decorations such as handles or borders imply greater difficulty in terms of their survival. Let us bear in mind that the blowing of glass in the imperial era, with the techniques that were available, implied an extreme level of precision and thoroughness. Added to this would be the trade of those pieces that were distributed to all corners of the empire and later by their owners.

Although the typologies of the pieces that we present clearly allude to their domestic use, they are much more than that. The next two lots are clearly jars that must have been used to pour some kind of liquid, perhaps a drink or oil. Today we may not out of habit appreciate the effect it would have on a Roman to see the contents of one of these jars clearly through it. The usual custom of using opaque ceramic tableware made a fact like this a true luxury. To give a visible example; the Romans mixed their wine, much more intense than our current one, with water and sometimes with spices, honey and even flowers. Seeing the delicacy of all the elements melt into one of these jars would have been a privilege available to very few.

The small opening through the stylized neck of the first batch may have contained some precious liquid. We can imagine what the sensual movement and color of some perfume or essence would look like inside. An enigmatic container due to its quality, state of conservation and typology is the other Roman container. This container with a wider mouth must have kept a different kind of tableware inside. The small and delicate glass objects were included in the trousseau of the rich ladies. The bowls, glasses and other pieces were used to contain the materials that surround the world of makeup: khol imported from Egypt to paint around the eyes, lotions based on exotic flowers and of course powders extracted from minerals and gems. A sophisticated world that has miraculously reached us intact, thus allowing us to know a little better the daily glories of the greatest empire of antiquity.